top of page


Walls of Mandrem Vol. 01- Community Art Exhibit by Studio Noor and Hustliq House Cafe in Goa
Mandrem witnessed a vibrant coming together of artists and art lovers over the weekend of 14th and 15th March, as Walls of Mandrem Vol. 01 unfolded in collaboration with Studio Noor and Hustliq House Cafe. What set Walls of Mandrem apart was its strong sense of community. The event saw a steady flow of friends, familiar faces, and curious visitors, creating an atmosphere that was both relaxed and engaging.
Roshni Ali
Mar 193 min read


Creator's Shala Art Pop Up in Mandrem, Goa
the Creator’s Shala Pop-Up brought together artists, musicians, and a community of creators for a day of pure expression. It was a gathering where art and music met, celebrating creativity in all its forms.
Roshni Ali
Sep 29, 20252 min read


New Age Mom : Through Art Exploring complex ethical questions of Robot Birth
I painted this is 2024. Contemplating the advancing world of AI and Robotics. New Age Mom (2024) by Roshni Ali Today, it's a reality. We are the last humans. Engineered birth asks us to imagine human life before it arrives in the world. Advances in reproductive technology, embryo screening, gene editing research, and artificial womb concepts raise deep questions that reach far beyond medicine. Some hopes are compassionate. Parents may want to avoid severe inherited disease. D


The Sacred Circle : Art honouring the sacred Feminine
As an artist deeply connected to Goa’s wellness community, this artwork is my interpretation of a women’s circle — a space for connection, ritual, grounding and remembering.
At its centre, a shamanic drum carries the rhythm of the earth. Cacao becomes a symbol of opening the heart, while the roots reaching deep beneath the women speak of ancestry and our connection to nature.
A symbolic honoring of the feminine, the earth, and the ancient rituals that bring us back to ourse


Haunted by the Same Monsters
'Haunted by the Same Monsters' is a contemporary take on the dark forces that shape our lives today. Media outrage, ideological possession, self-sacrifice, manipulation, desire, and collective delusion take on physical form as strange and unsettling beings. I began painting these creatures as a way of making sense of the world around me.
They emerged during a time when the noise felt overwhelming—when outrage, fear, division, and confusion seemed to be everywhere.
bottom of page
