A Journey Through Color, Chaos, and Curiosity

Mandrem witnessed a vibrant coming together of artists and art lovers over the weekend of 14th and 15th March, as Walls of Mandrem Vol. 01 unfolded in collaboration with Studio Noor and Hustliq House Cafe. What set Walls of Mandrem apart was its strong sense of community. The event saw a steady flow of friends, familiar faces, and curious visitors, creating an atmosphere that was both relaxed and engaging.

Inspired by Guernica by Pablo Picasso, this work reimagines the tragedy of war through the lens of the bombing in Minab. By replacing Picasso’s symbols with contemporary ones, the painting connects past and present conflicts. It serves as a reminder that nearly a century later, the greatest victims of war remain innocent civilians.

In February 2026, I had the chance to experience this lively celebration from a unique vantage point—a friend's Airbnb balcony overlooking the parade route. What unfolded was a whirlwind of colors, sounds, and emotions that left a lasting impression. Every element was hand-drawn. No AI shortcuts — just paint, paper, and patience. Creating this piece made me feel like I was part of the carnival, too. An observer. Quietly noticing. Transmuting energy into an image.

The Hilltop Friday Market in Anjuna is not just a marketplace; it’s a cultural hub where the spirit of Goa’s counterculture thrives. For an artist like me, this space offers more than just a sales opportunity. It’s a chance to be part of a living, breathing culture that values creativity over commerce. People approached my stall with curiosity. Some connected with the ancient motifs, while others appreciated the modern style and colours.

India’s ancient temples tell stories of life philosophy. Visiting the Hoysala temples, Hampi, Mahabalipuram, and Ellora, I was struck by the grandeur of our heritage and the powerful myths behind each site. These myths reveal sacred archetypes—universal symbols and characters that explore the nature of reality. Returning to Goa, I noticed these archetypes reflected in the vibrant contemporary music scene.

Cities in India often present themselves as shining examples of progress and development. Yet beneath their gleaming facades lie harsh realities of environmental decay, social inequality, and urban neglect. The art series Big City Lies exposes these uncomfortable truths through satire and surreal imagery, inviting viewers to rethink what development really means and who bears its cost.

Rooted in childhood fascination and ancient myth, this series revisits the gods, symbols, and stories of Ancient Egypt through a contemporary lens. Blending hand-drawn techniques with intuitive storytelling, the works explore themes of wisdom, power, chaos, and rebirth—inviting viewers to reconnect with a sense of awe for the unseen forces that have shaped human imagination across time.

Inktober 2025 : A fun playful online challenge to get prople drawing more. And, My top favorite drawings.

the Creator’s Shala Pop-Up brought together artists, musicians, and a community of creators for a day of pure expression. It was a gathering where art and music met, celebrating creativity in all its forms.

Heart of the Earth began as a vision of meditating within the planet’s core, feeling its living heartbeat. What started as a painting transformed into the seed for Earth Tribe, a music project born from the dialogue between art and sound. This blog shares the journey of how one artwork sparked an entire album — a reminder that creativity flows in cycles, inspiring new forms along the way.

On 31st August 2025, I showcased my art for the very first time at the Creator’sshala Art Pop-Up in Luna Verde, Mandrem. From sketchbooks and canvases to organic house beats as Queen Cobra, the day unfolded with art, music, and heartfelt conversations. A celebration of creativity, connection, and community in the heart of Goa

Prince of Darkness is my acrylic tribute to Ozzy Osbourne, the legendary musician who shaped rock and heavy metal for generations. In this surreal, gothic-inspired artwork, Ozzy sits on a throne under a dark arch, surrounded by goat-humanoids playing skull-shaped guitars and drums. Created after his passing in 2025, the piece celebrates his enduring influence and reminds us that while he may be gone, the spirit of rock will live forever.

In this playful fan art series, I reimagine Rick and Morty through three surreal acrylic paintings that dive into the show’s extra-dimensional spirit. From Rick’s brain floating into endless realms of thought, to their frantic escape from a monstrous tentacle, and finally, the timeline-splitting pink octopus holding the very concept of time, each piece captures both the absurd danger and the profound symbolism at the heart of the show. For me, these works are not just about t

Under the Sea is a whimsical acrylic painting by Roshni Ali that playfully celebrates the quirks of ocean life. With characters like a confused crocodile, an old blind turtle, a curious crab, and even a parrotfish with broken teeth, this artwork invites viewers to laugh, imagine, and reconnect with their inner child.

Wrath of Apophis is more than a retelling of Egyptian myth — it is a reminder of the eternal struggle between light and darkness, both in the cosmos and within ourselves. Just as Ra rises victorious each dawn against Apophis, every sunrise reminds us that chaos can never fully extinguish the light. This piece speaks to gratitude for each new day and the realization that the same divine fire that fuels the sun also lives within us.

“Anubi’s Judgement” is a vibrant acrylic on paper inspired by Egyptian mythology. Featuring Anubis, the god of death, and two glowing scales — one with a heart, the other with a feather — this artwork explores the timeless balance between truth, desire, and the weight of the soul.

"Feed Me" by Goa-based artist Roshni Ali, an acrylic on paper artwork depicting a fuzzy, ugly, semi-robotic monster lifting an artist with its tongue while excreting skulls. A satirical commentary on AI art consumption, especially after the viral Ghibli-style update, highlighting ethical concerns and the importance of human creativity.

This series of acrylic artworks is my tribute to Tim Burton’s Beetlejuice, celebrating his signature blend of dark comedy, surreal visuals, and whimsical horror. The first piece shows Bob, the afterlife clerk, stuck at his desk under the banner “Employee of the Month,” a satirical take on bureaucracy and death. The second portrays Mr. Beetlejuice himself, his head exploding with chaotic, bizarre elements, reflecting his mischievous and unpredictable personality. The third fea

“Space Ganesha” is a vibrant acrylic artwork by Roshni Ali that reimagines the beloved Hindu deity as he steps out of a cosmic portal. Accompanied by his loyal mouse companions—one soaring in a flying saucer, the other scrambling for crumbs—the piece playfully explores the mindset of abundance. Created in September 2024 before the Ganpati festival, it celebrates perspective, energy, and the cosmic joy of Ganesh Chaturthi along the Konkan coast.

“Kali’s Channeling” is an acrylic on paper that embodies the fierce power of the goddess Kali. Painted in swirling blues and purples, with her wild hair, red tongue, and hibiscus garland, this artwork explores rage as sacred energy. Inspired by personal and collective grief, it reflects the Dark Feminine archetype in Jungian psychology — reminding us that when channeled, rage can transform into light, healing, and strength.