A Journey Through Color, Chaos, and Curiosity

This acrylic artwork is my homage to him following his death in 2025. In the painting, Ozzy sits on a throne beneath a gothic arch, commanding a scene that fuses fantasy and rock lore. In front of him, goat-humanoids play skull-shaped guitars, while a central figure pounds the drums—a surreal celebration of his musical kingdom.

Prince of Darkness: An Ozzy Osbourne Tribute

Prince of Darkness is my acrylic tribute to Ozzy Osbourne, the legendary musician who shaped rock and heavy metal for generations. In this surreal, gothic-inspired artwork, Ozzy sits on a throne under a dark arch, surrounded by goat-humanoids playing skull-shaped guitars and drums. Created after his passing in 2025, the piece celebrates his enduring influence and reminds us that while he may be gone, the spirit of rock will live forever.

Roshni Ali

Aug 27, 20251 min read

Rick & Morty Fan Art Series – Exploring Extra Dimensions

In this playful fan art series, I reimagine Rick and Morty through three surreal acrylic paintings that dive into the show’s extra-dimensional spirit. From Rick’s brain floating into endless realms of thought, to their frantic escape from a monstrous tentacle, and finally, the timeline-splitting pink octopus holding the very concept of time, each piece captures both the absurd danger and the profound symbolism at the heart of the show. For me, these works are not just about t

Roshni Ali

Aug 27, 20253 min read

"Feed Me" is one of my darker, more satirical works—a fuzzy, ugly, semi-robotic monster that grotesquely lifts an artist with its long tongue while excreting skulls. The image is unsettling on purpose. It mirrors what I felt when ChatGPT 4.0 released its viral “Ghibli art” update.

FEED ME : Skulls, Data, and the Death of Ethics in Art

"Feed Me" by Goa-based artist Roshni Ali, an acrylic on paper artwork depicting a fuzzy, ugly, semi-robotic monster lifting an artist with its tongue while excreting skulls. A satirical commentary on AI art consumption, especially after the viral Ghibli-style update, highlighting ethical concerns and the importance of human creativity.

Roshni Ali

Feb 15, 20252 min read

This series of acrylic artworks is my tribute to Tim Burton’s Beetlejuice, celebrating his signature blend of dark comedy, surreal visuals, and whimsical horror. The first piece shows Bob, the afterlife clerk, stuck at his desk under the banner “Employee of the Month,” a satirical take on bureaucracy and death. The second portrays Mr. Beetlejuice himself, his head exploding with chaotic, bizarre elements, reflecting his mischievous and unpredictable personality. The third features the Sand Snake

Bizarre Worlds and Dark Humor: Inspired by Tim Burton

This series of acrylic artworks is my tribute to Tim Burton’s Beetlejuice, celebrating his signature blend of dark comedy, surreal visuals, and whimsical horror. The first piece shows Bob, the afterlife clerk, stuck at his desk under the banner “Employee of the Month,” a satirical take on bureaucracy and death. The second portrays Mr. Beetlejuice himself, his head exploding with chaotic, bizarre elements, reflecting his mischievous and unpredictable personality. The third fea

Roshni Ali

Jan 9, 20252 min read

Mandrem witnessed a vibrant coming together of artists and art lovers over the weekend of 14th and 15th March, as Walls of Mandrem Vol. 01 unfolded in collaboration with Studio Noor and Hustliq House Cafe.The exhibition brought together a diverse group of contemporary artists, each presenting a unique visual language. The featured artists included, in alphabetical order: Gaurika Noor, Hemant Verma, Maya Tideman, Megha Jeevan, Natasha Menon, Neha Chaudhary, Preetal Dingre, Roshni Ali, Sahaya Sharma, Sahil Savla, and Shanteri Nayak.

Walls of Mandrem Vol. 01- Community Art Exhibit by Studio Noor and Hustliq House Cafe in Goa

Mandrem witnessed a vibrant coming together of artists and art lovers over the weekend of 14th and 15th March, as Walls of Mandrem Vol. 01 unfolded in collaboration with Studio Noor and Hustliq House Cafe. What set Walls of Mandrem apart was its strong sense of community. The event saw a steady flow of friends, familiar faces, and curious visitors, creating an atmosphere that was both relaxed and engaging.

Roshni Ali

Inspired by Guernica by Pablo Picasso, this work reimagines the tragedy of war through the lens of the bombing in Minab. By replacing Picasso’s symbols with contemporary ones, the painting connects past and present conflicts. It serves as a reminder that nearly a century later, the greatest victims of war remain innocent civilians.

Picasso’s Guernica Reimagined: Minab 2026

Inspired by Guernica by Pablo Picasso, this work reimagines the tragedy of war through the lens of the bombing in Minab. By replacing Picasso’s symbols with contemporary ones, the painting connects past and present conflicts. It serves as a reminder that nearly a century later, the greatest victims of war remain innocent civilians.

Roshni Ali

Experiencing the Magic of Goa Carnival 2026: A Personal Journey from an Airbnb Amidst Parades and Artistry

In February 2026, I had the chance to experience this lively celebration from a unique vantage point—a friend's Airbnb balcony overlooking the parade route. What unfolded was a whirlwind of colors, sounds, and emotions that left a lasting impression. Every element was hand-drawn. No AI shortcuts — just paint, paper, and patience. Creating this piece made me feel like I was part of the carnival, too. An observer. Quietly noticing. Transmuting energy into an image.

Roshni Ali