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Under the Sea
Under the Sea is a whimsical acrylic painting by Roshni Ali that playfully celebrates the quirks of ocean life. With characters like a confused crocodile, an old blind turtle, a curious crab, and even a parrotfish with broken teeth, this artwork invites viewers to laugh, imagine, and reconnect with their inner child.
Roshni Ali
Aug 26, 20252 min read
Kali’s Channeling
“Kali’s Channeling” is an acrylic on paper that embodies the fierce power of the goddess Kali. Painted in swirling blues and purples, with her wild hair, red tongue, and hibiscus garland, this artwork explores rage as sacred energy. Inspired by personal and collective grief, it reflects the Dark Feminine archetype in Jungian psychology — reminding us that when channeled, rage can transform into light, healing, and strength.
Roshni Ali
Aug 30, 20242 min read
New Age Mom : Through Art Exploring complex ethical questions of Robot Birth
I painted this is 2024. Contemplating the advancing world of AI and Robotics. New Age Mom (2024) by Roshni Ali Today, it's a reality. We are the last humans. Engineered birth asks us to imagine human life before it arrives in the world. Advances in reproductive technology, embryo screening, gene editing research, and artificial womb concepts raise deep questions that reach far beyond medicine. Some hopes are compassionate. Parents may want to avoid severe inherited disease. D
The Sacred Circle : Art honouring the sacred Feminine
As an artist deeply connected to Goa’s wellness community, this artwork is my interpretation of a women’s circle — a space for connection, ritual, grounding and remembering.
At its centre, a shamanic drum carries the rhythm of the earth. Cacao becomes a symbol of opening the heart, while the roots reaching deep beneath the women speak of ancestry and our connection to nature.
A symbolic honoring of the feminine, the earth, and the ancient rituals that bring us back to ourse
Haunted by the Same Monsters
'Haunted by the Same Monsters' is a contemporary take on the dark forces that shape our lives today. Media outrage, ideological possession, self-sacrifice, manipulation, desire, and collective delusion take on physical form as strange and unsettling beings. I began painting these creatures as a way of making sense of the world around me.
They emerged during a time when the noise felt overwhelming—when outrage, fear, division, and confusion seemed to be everywhere.
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